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The Neutrals: Kebab Disco - VINYL LPTitle: Kebab Disco Artist: The Neutrals Label: Emotional Response Product Type: VINYL LP UPC: 600607753783 Genre: Rock Release Date: 2019 07 12 Number of Discs: 1 Kebab Disco is the debut LP from Bay Area trio Neutrals, following the release of two well received promotional cassette demos. On the album, the group channels a wide range of 70s and 80s punk, post punk, and indie pop influences. In the accompanying zine lyric booklet, the band describe
Title: Kebab DiscoArtist: The Neutrals
Label: Emotional Response
Product Type: VINYL LP
UPC: 600607753783
Genre: Rock
Release Date: 2019-07-12
Number of Discs: 1
Kebab Disco is the debut LP from Bay Area trio Neutrals, following the release of two well-received promotional cassette demos. On the album, the group channels a wide range of 70s and 80s punk, post-punk, and indie pop influences. In the accompanying zine/lyric booklet, the band describe the first side of the record as "the art school suite": the action kicks off in Glasgow, Scotland, with tales of artistic jealousy, petty theft, late night psychedelic excursions, burgeoning romance, and a betrayal. By the beginning of side B, the protagonist has emigrated to the perceived mecca of San Francisco, only to be met with ghosts of the past, a shifting demographic, and a self-satisfied post-counterculture consumerist class. While not strictly autobiographical, this mirrors the personal experience of Scottish singer/guitarist Allan McNaughton. "Paying some serious stylistic debts to the transitional period between post-punk and C86 in the early-to-mid '80s UK underground-had they actually existed back then, NEUTRALS could have fit on the Cherry Red roster next to the MONOCHROME SET just as easily as they could have on Creation Records alongside MEAT WHIPLASH." - Erika Elizabeth, Maximumrocknroll "endearing and addictive jangly indie/punk with guitars ripped from deep cuts from the Rough Trade and 4AD catalogues." - Terminal Escape blog Neutrals are Allan McNaughton (Giant Haystacks, Airfix Kits) on guitar and vocals, Phil Benson (Terry Malts, Magic Bullets) on bass and vocals, and Phil Lantz (Cocktails, Razz, Airfix Kits) on drums. They live in the San Francisco Bay Area.
Tracks:
1.1 I Can Do That
1.2 Missing Records
1.3 Half Shut Knife
1.4 Technical College
1.5 24 Pictures of You
1.6 You We Seen
1.7 Angst Reflex
1.8 Food Court
1.9 Hate the Summer of Love
1.10 Motorcycle Cop
1.11 Coming Up Roses
1.12 Swiss
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4.1 ★★★★★
Based on 1650 reviews
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Product Reviews
★★★★★ 5
Eye-Opening and Heart-Expanding
Format: Paperback
I am incredibly grateful for this book. It gave me profound insight into essential truths of Christian faith and doctrine by allowing me to see them through a radically different lens than my internal lens. Plus, it opened me up enormously to the experience of black Americans who express the pain and challenge of life in our country thoughtfully and provocatively. I left this reading chastened, desiring more conversation, moved to listen better, and hoping to live differently.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 9, 2023
★★★★★ 5
Best book I've read in last 10 years!
Format: Paperback
I'm absolutely blown away. I finished the book this morning. I have been recommending it to anyone and everyone who asks me "So, what you reading?". I'm known for having a book stack a mile high. I ran out of my first yellow highlighter! Profound stuff. The subtitle, How African American Literature Can Make Our Faith More Whole and Just, doesn't do the book justice. It is soooo much more. I highly recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2023
★★★★★ 5
A must read
Format: Paperback
This is an amazing book! The author takes the reader through several works of black literature, expounding on how each work shows us deep things about theology and faith.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 3, 2025
★★★★★ 5
Countee Cullen chapter
Format: Paperback
This book is a great read. I’m not even sure how to encapsulate my thoughts on it, but let me say the chapter, “Jesus,” on the poetry of Countee Cullen is brilliant and a masterclass on discipleship, suffering, identity, projecting onto Jesus. This one chapter could literally be a course in Christian discipleship handling multiple aspects of the life of faith. I feel like I’m not doing the chapter, the book, or Claude Atcho justice here, but I deeply recommend this book and urge readers to really sit with the Cullen chapter and all its implications. What a gift Claude Atcho has given us here!
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Reviewed in the United States on January 21, 2025
★★★★★ 5
An exceptional, stunningly beautiful, and greatly needed book
Format: Paperback
Have you ever finished a book so heavy with truth and beauty and goodness that you don’t know how to sum it up? That’s where I am upon completing Claude Atcho’s Reading Black Books: How African American Literature Can Make Our Faith More Whole and Just. I’m the sort who marks up books with notes, underlining, and asterisks. Pages with ideas I want to return to get a folded corner. For this book? More pages are folded than not and a flip through the book reveals copious amounts of fuchsia markings.
Full disclosure: Claude is a writer friend; we’ve chatted about faith, books, work, writing, and podcasting. I’ve been eagerly awaiting the release of his book, knowing it would be fantastic. You might think I was biased in that assumption, considering our previous connection, considering I received an ARC from Brazos Press.
What I found from the first pages was even more than expected: my friend as pastor, shepherd, prophet, counselor, guide. Claude features 10 key creative African American works to cast a vision for human flourishing rooted in the power and love of God found in Jesus Christ. Just listen to this moving excerpt: “Healing is found in the constant individual and communal turn toward the tender mercies of God, who calls us to a theological remembrance: to locate our history in his, to make sense of our memory in his memory, to process our wounds in his wounds” (126). This book is beautifully written, theologically robust, and desperately needed. I cannot recommend this book highly enough. It is stunning.
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Reviewed in the United States on May 17, 2022
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